Original Title 
                    La hija del vidriero
                                                    Country of Production 
                                            Argentina
                    
                
                                    Year of Production 
                    2022
                
                                    Running Time 
                    2'01"
                
                                    Language 
                    Spanish
                
                
                            
                    Awards 
                    Mejor animación - Festival de cine Cipoletti (Argentina, 2022)
Mejor videominuto - Festival de cine Latinoamericano de La Plata - FESAALP (Argentina, 2022)
                
After spending her childhood in her father's glass shop, the author interprets glass as a familiar material. A confused childhood observed 20 years later, a childhood that the glazier's daughter tries to treasure using paint and glass, elements that she will soon discover are just as fragile as her own memory.
                    Name 
                    Lucía López
                                            Country 
                        Argentina
                                                                Biography 
                        Lucía López (b. 1995, Bs As, Argentina), image and sound designer, painter and producer. Explore the mix between painting, glass and digital media. Co-director and art director of The Thaw (2020), a short film that has toured various festivals and has been recognized nationally and internationally. She’s currently presenting her second short film - The Glazier’s Daughter (2022) - in which she incorporates glass as a fundamental material of her authorial identity.
                                    
                    
                        Filmography 
                        2020 El deshielo
2022 La hija del vidriero
                    
                        Director's notes 
                        After spending my childhood in my father's glass shop, glass became a familiar material, which represents a refuge, but one of the most fragile I know. My memory is a treasure that, like glass, fragments. The Glazier's Daughter is a short film that makes sense from its materialization: going back to my father's workshop to rediscover those forgotten treasures, going through the glass to get closer to them and face my greatest fear: the passage of time.